In the fall of 1969, the great French bebop pianist Henri Renaud brought Thelonious Monk into a television studio in Paris. Just Monk, a grand piano and two cameras - no audience, no sidemen, no emcee, no clock-watching stage manager, no set list, no distractions. The result was an astonishingly intimate and revealing portrait of a man and his music. Monk sits at the piano and plays whatever occurs to him. In this case, it was nine originals and two of his favorite standards.