"I started here playfully looking in different directions– an early performance by Lambert, Hendricks, and Ross, a Ché Guevar interview, an instructional video on glock maintenance... but soon the tide of information took over. The range in image quality and subject matter amazed me. I thought there was no longer a need for a camera. I could make whatever I wanted through appropriation. It became addictive and I began to make a film per week. I could be an ethnographic filmmaker, remake my own films or classics, construct things I never though of making, and be blindly experiment again. I was totally liberating. The result is: 52 Films.